Tag Archives: busybird

The rise of ‘Talking Books’ – do audio books fit your publishing project?

Recording your audiobook will give you another platform from which to offer your book.

If you’re a reader, do you listen to audio books? Or if you’ve published a book, have you converted it to an audio book? It’s worth exploring this as an option for your story so that you can access another platform that allow readers to be exposed to your work.

When I was a child I loved tuning into the radio to listen to serialised stories, especially if the reader had a compelling voice. There’s something special about being read to. I know that people love live readings because of the regular numbers who attend our open mic nights and from library events that I used to organise where a performer would tell stories to a live audience. It feels luxurious to be read to and for some it may remind them of being a child when a parent or grandparent read to them.

While I do like audio books, my preference is to read the printed version but there are many instances where having the audio is useful, like travelling. This is the same for podcasting, which is growing in popularity.

Audio books have been around since the 1930s, they were called ‘Talking Books’ back then and were primarily thought of as a good resource for people who were visually impaired. Mostly these ‘books’ were short nursery rhymes or poems. Whole books didn’t really make it to the mass market until the 80s when it became easier to produce them and they were more commercially viable, but they were still quite expensive for the consumer.

Thanks to digital technology, the cost to produce an audio book has reduced, therefore the cost to consumer has reduced dramatically, to the point where there are apps like audio.com where you can subscribe and get books at varying prices, sometimes free, much like eBooks.

If you’re publishing books, most likely you have created a print book and/or an eBook. While eBooks are not as popular as people think (remember the cries of ‘the book is dead!’ about eight years ago?) it still gives readers a choice. Adding an audio book to the mix spreads the readership further, as well as exposing your name and product to a wider audience.

Many people ask us about creating audio books and to date it has been an expensive option. Now it seems that technology is catching up, so we are looking at ways to produce them.

Enter Studio Four4ty. On a recommendation, I organised to record my own memoir into an audio book through this local studio. Last week was our first session of four hours. It was fun going into the little recording booth and donning the headphones, but I have to say it was also a little daunting. Speaking isn’t my forte and any new experience can be anxiety ridden but I did it anyway. I wanted to experience it for myself and I was curious to see how my stories would come out with my own voice.

The person reading the story should fit the written content. Many people hire professional actors who are used to voice work, but I often think that the actual writer is good if their voice suits the story. If the story has a protagonist (but written by a female) who was a 25-year-old man, it would suit to have a male voice.

I’m yet to hear the full book as a completed audio book but so far, the experience has been positive. I have another recording session to complete and then the sound engineer, Jarred, will edit it (there were plenty of fluffed sentences) and put it together into one file.

If you’re looking at ways to get your work into readers hands, it’s worth thinking of as many ways to do this. Don’t be narrow minded and just think ‘print’.  I’ll report back in a few months to see how my audiobook is received and I’d love to hear opinions about the different ways you like to consume stories.

Blaise the book chick

Writing Starts with Questions?

Most writing starts with a question or a what if scenario.

What if we allow same-sex marriage?

What if you had three months to live?

What if you found out you had magical powers when you thought you were small, powerless and unwanted?

What would you do if you found out your partner was cheating on you?

As a writer, it’s your job to try to answer these questions. It’s through the writing that you will nut out the answers or solutions to a problem that your reader might have or the character in the story might have. You may not have all the answers but you can offer the reader some arguments, ideas or solutions that help them come to their own conclusion.

Readers are looking for something all the time. It might be that they feel lost or indecisive and these solutions can be presented in many ways through story. It doesn’t matter whether that story is fact or fiction because it’s the truth in the story that will make itself known. Even a simple love story has to be anchored in reality.

Truth? you say.

Yes, even fiction carries truth. In fact, without it the reader won’t connect with the story and will dismiss it very quickly.

Quite often the reader will already know the answer to their question but it’s from reading it in someone else’s words that helps to validate their own beliefs and ideas and cements a solution for them.

Here’s an example: We have been told through the ages that the ‘little guy’ can defeat the all powerful, that size doesn’t matter. These stories are played out in stories such as The Fellowship of the Ring, Harry Potter or countless biographies. The reader is looking for examples of how they might survive despite feeling like they have no choices, no power in their life.

Think about this when you’re writing. What is the truth that you are giving the reader? You have a lifetime of lived experience to share with your reader. They have questions, wants, and needs that they are looking for answers to.