Tag Archives: life

The rise of ‘Talking Books’ – do audio books fit your publishing project?

Recording your audiobook will give you another platform from which to offer your book.

If you’re a reader, do you listen to audio books? Or if you’ve published a book, have you converted it to an audio book? It’s worth exploring this as an option for your story so that you can access another platform that allow readers to be exposed to your work.

When I was a child I loved tuning into the radio to listen to serialised stories, especially if the reader had a compelling voice. There’s something special about being read to. I know that people love live readings because of the regular numbers who attend our open mic nights and from library events that I used to organise where a performer would tell stories to a live audience. It feels luxurious to be read to and for some it may remind them of being a child when a parent or grandparent read to them.

While I do like audio books, my preference is to read the printed version but there are many instances where having the audio is useful, like travelling. This is the same for podcasting, which is growing in popularity.

Audio books have been around since the 1930s, they were called ‘Talking Books’ back then and were primarily thought of as a good resource for people who were visually impaired. Mostly these ‘books’ were short nursery rhymes or poems. Whole books didn’t really make it to the mass market until the 80s when it became easier to produce them and they were more commercially viable, but they were still quite expensive for the consumer.

Thanks to digital technology, the cost to produce an audio book has reduced, therefore the cost to consumer has reduced dramatically, to the point where there are apps like audio.com where you can subscribe and get books at varying prices, sometimes free, much like eBooks.

If you’re publishing books, most likely you have created a print book and/or an eBook. While eBooks are not as popular as people think (remember the cries of ‘the book is dead!’ about eight years ago?) it still gives readers a choice. Adding an audio book to the mix spreads the readership further, as well as exposing your name and product to a wider audience.

Many people ask us about creating audio books and to date it has been an expensive option. Now it seems that technology is catching up, so we are looking at ways to produce them.

Enter Studio Four4ty. On a recommendation, I organised to record my own memoir into an audio book through this local studio. Last week was our first session of four hours. It was fun going into the little recording booth and donning the headphones, but I have to say it was also a little daunting. Speaking isn’t my forte and any new experience can be anxiety ridden but I did it anyway. I wanted to experience it for myself and I was curious to see how my stories would come out with my own voice.

The person reading the story should fit the written content. Many people hire professional actors who are used to voice work, but I often think that the actual writer is good if their voice suits the story. If the story has a protagonist (but written by a female) who was a 25-year-old man, it would suit to have a male voice.

I’m yet to hear the full book as a completed audio book but so far, the experience has been positive. I have another recording session to complete and then the sound engineer, Jarred, will edit it (there were plenty of fluffed sentences) and put it together into one file.

If you’re looking at ways to get your work into readers hands, it’s worth thinking of as many ways to do this. Don’t be narrow minded and just think ‘print’.  I’ll report back in a few months to see how my audiobook is received and I’d love to hear opinions about the different ways you like to consume stories.

Blaise the book chick

The Terror of Launching a Book

My childhood memoir

Next week I will be launching a book. There’s a new kind of terror that has crept up on me. It’s not my first book, so why is this happening? It’s a memoir. And memoir is fraught with so many layers and emotions and involves other people. The ‘other’ people who have been a part of my life who may, will, have different memories to me and see things from a completely different perspective.

So what. Who cares?

I have been working on this memoir for many years. Now that it’s in print – the box of books sits next to me – I can already see how I could have written it differently. Made it better. It had gotten to the stage that I needed to complete it so that I could move on to other things (I have two other books waiting to be written). And the way I’ve written it is experimental. Will readers get it? Will they connect with it?

What am I worried about? I feel that my writing ability is sound but somehow I feel that ‘imposter syndrome’ sneaking up on me. I’ve done the work, had the book edited but it’s not actually the writing that I’m scared about. I’m scared that people will see me in a different light. This is ridiculous because I am the kind of person who lives life with no pretentions, so I think that people know the real me. There’s nothing in the book that can be construed another way. Or is there?

This is the thing with writing, or any artform. The way it’s received will be different with every single person. We all bring our own life experience to a story and interpret it in a unique way. So while I have been mindful of writing it in an honest, non-judgmental way, will it be taken as something else? Will anyone feel hurt or misunderstood by these stories?

So what. Who cares?

If a creator doesn’t care about the creation, why bother doing it? This is the dichotomy of art. We must care and nurture our creation into being, then cut the cords and let it fly to freedom. The world will make of it what it will. We can only hope that it is well looked after. There is always the danger of caring about it too much but in actual fact once it’s out there it no longer belongs to you. You’re giving it to the world. It may be liked, loathed or disappear into the abyss. As the creator we are sending out little pieces of ourselves and hoping that it is worth opening our heart and laying ourselves bare.

My childhood memoir, told in a series of ethereal vignettes, will launch at Busybird Publishing next Wednesday 8th August at 7pm. The Road to Tralfamadore is Bathed in River Water is my way of honouring a very special time in my life that has shaped me in so many ways. I’ll be quietly terrified in offering it up to my dear ones but also excited to have it alive and pulsing. I do care and will be putting myself out there despite the fear.

Blaise the book chick